
Tuesday, November 16, 8pm
The Music Room, SPCO Center
directions
tickets will be available for purchase at the door
651.292.3268
The Schubert Club presents ALIAS, Nashville’s most eclectic and critically acclaimed chamber music ensemble, and Latin Grammy Award-winning composer and Guggenheim fellow Gabriela Lena Frank. They will perform Hilos. Commissioned by ALIAS, The Schubert Club, and Drs. Jonathan Neufeld and Jennifer Lena supported by a grant from Vanderbilt University, Hilos (Spanish for “threads”) is an eight-movement quartet for piano, violin, cello and clarinet. It will be performed by Ms. Frank (piano) and three members of the 12-member ALIAS ensemble: Zeneba Bowers (violin), Matthew Walker (cello) and Lee Levine (clarinet). Ms. Frank frequently draws on her multicultural Latin heritage as inspiration for her music. In Hilos, each of the short movements evoke vivid pictures, such as “Canto del Altiplano” (Song of the Highlands), “Zumballyu” (Spinning Top), and “Juegos de los Niños” (Games of the Children). |
| Sonata No. 2 "La Cesta" for violin and continuo (1660) |
Giovanni Antonio Pandolfi Mealli |
| Quartet for clarinet, violin, cello and piano (1982) |
Peter Schickele |
| Hilos for clarinet, violin, cello and piano (2010) | Gabriela Lena Frank |
Founded in 2002, ALIAS is a chamber ensemble dedicated to innovative repertoire, artistic excellence, and a desire to give back to the community. Comprised of 12 professional musicians in Nashville, its wide-ranging repertoire brings audiences a mix of chamber music that cannot be heard anywhere else in the community. To date, ALIAS has premiered 10 new works and makes a point of performing undiscovered or seldom heard pierces. As part of its mission, ALIAS also adopts three nonprofit partners each season and gives 100 percent of its ticket proceeds to these partners.
Identity has always been at the center of Gabriela Lena Frank's music. Born in Berkeley, California, to a mother of mixed Peruvian/Chinese ancestry and a father of Lithuanian/Jewish descent, Frank explores her multicultural heritage most ardently through her compositions. Inspired by the works of Bela Bartók and Alberto Ginastera, Frank is something of a musical anthropologist. She has travelled extensively throughout South America and her pieces reflect and refract her studies of Latin-American folklore, incorporating poetry, mythology, and native musical styles into a western classical framework that is uniquely her own. She writes challenging idiomatic parts for solo instrumentalists, vocalists, chamber ensembles, and orchestras.