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Composer Mentorship Program

Congratulations to this year's Apprentices!

  • Dylan Perese

  • Grant Luhmann

  • Christopher Neiner

  • Austin Frohmader

 

 

 

Composer Mentorship Application

Deadline was Friday, July 15th

Eligibility: Applicants should be high school students in grades 10-12 during the 2012-2013 school year, and be able to provide their own transportation to sessions in Minneapolis.

Fees: There is no application fee. The Schubert Club provides this mentorship to the winning apprentices at no charge.


 

Past Composer Apprentices:

  • Grant Luhmann (2010)

  • Dylan Perese (2010)

  • Benjamin Peterson (2010)

  • Andy Troska (2010)

  • Adam Drissi (2009)

  • Kayla Espindola (2009)

  • Brian Heim (2009)

  • Daniel Johnson (2009)

  • Flannery Cunningham (2008)

  • Karl Henry Nord (2008)

  • Matthew Tingblad (2008)

  • David Tramm (2008)

  • Simon Alexander-Adams (2007)

  • Sara Feinberg (2007)

  • Leo Wexler-Mann (2007)

  • Melissa Mogan (2007)

  • Benjamin Link (2006)

  • Jeff Marquardt (2006)

  • Olivia Muzzy (2006)

  • Emily Vomacka (2005)

  • Oliver Krause (2005)

  • Naomi Finsaas (2004)

 

 

 

 

 

 

 

 

 

 

 

About the Program

Each spring, talented high-school student composers in the greater Twin Cities area will be selected to work with The Schubert Club's composer-in-residence Edie Hill for the coming academic year.

The mentorship involves monthly individual sessions, as well as opportunities for the group to get together as a whole. Specific topics and the times of the individual sessions are arranged jointly, based on each student's interests and availability, and may deal with: notation, guided listening, composition, and repertoire. Group meetings will occasionally include attendance at local performances, rehearsals, and workshops. In addition, a piece by each composer apprentice will be considered for performance on The Schubert Club's Thursday Courtroom Concert series, and each apprentice will receive a complimentary one-year membership to the American Composers Forum.

The mentorship program is offered free of charge to each selected composer and is sponsored in part by HRK Foundation. 

More information about The Schubert Club's Composer-in- Residence Program

 

About Edie Hill

From solo to orchestra, epigram to epic, Edie Hill's music unfolds seamlessly in all spaces and idioms. Born in New York City (1962), her works are widely performed in the United States, Canada, Eastern and Western Europe. Such prestigious and varied venues/presenters have included Lincoln Center, LA County Museum of Art, the Library of Congress, Walker Arts Center, Cape May Festival (NJ), The Downtown Arts Festival (NYC), Liviu Cultural Center (Romania), Feszek Müvészklub (Budapest), venues in Alkmaar, Zeist, Groningen, Zutphen, Breda and Bilthoven (The Netherlands), St. Paul's Schubert Club, classrooms and cafes, basilicas and back yards. A three time McKnight Artist Fellow and a two-time Bush Artist Fellow, Hill has been awarded grants from the Jerome Foundation, ASCAP, Meet The Composer and Chamber Music America to name a few. She actively cultivates the talents of young composers and musicians as well as educating and engaging the public in the music of today. She has been a guest lecturer at such institutions as Syracuse University, the American Composers Forum, the Iowa Composers Forum Nuts N' Bolts Festival, Tufts University, the University of Michigan and Delft University (Netherlands). Hill earned a B.A. in music composition and piano performance at Bennington College where she studied with Vivian Fine, then earned her M.A. and Ph.D. degrees from the University of Minnesota with principal composition teacher Lloyd Ultan. She has also studied extensively with Libby Larsen. Hill is Composer-in-Residence at St. Paul's Schubert Club where she runs the Composer Mentorship Program. She resides in Minneapolis where she works as a freelance composer.. Learn more about Edie Hill at www.ediehill.com.

 

Questions about this opportunity?  Contact

 

music in photo above by David Evan Thomas